Astrid: 'That's a spaceship?'
Doctor: 'Oy! Don't knock it!'
Well,
this year's Christmas Special was definitely more festive than 'The
Runaway Bride'. (Not difficult, I know.) It looked stunning, the costumes were beautiful, and there was festive nonsense galore—but something about it just didn't click for me.
Part of it was cosmetic. The exterior of the ship wasn't the most convincing visual
effect I've ever seen, and the passengers were either too weird or too stereotypical to connect with. There was also no real
sense of danger (despite Murray Gold's overly dramatic music trying to
convince us otherwise). Yes, things were smashing, and yes, things
were blowing up, but it never felt like anything more than actors
throwing themselves around a set.
I do like Kylie—I'm just not convinced that she's a great actress. The last time I saw her act was way back in Aussie soap, Neighbours,
and she doesn't seem to have improved. I'm not sure that dress and hair style did much for her
appeal, either—those were not flattering clothes. (Not that Bannakaffalatta, the cyborg conker, would agree.) I also didn't feel any chemistry between Astrid and the Doctor. There really wasn't enough time for them to develop any sort of relationship—or
maybe it's just three seasons of everyone falling in instalove with the Doctor is starting to wear a bit thin.
Astrid's
death really didn't resonate in any meaningful way. In fact, virtually everyone's death left me cold. I'm not an unemotional man, I'm almost always blubbing at
some television show or other, but despite people dying left, right and
centre—Morvin, Bannakaffalatta, Foon, Astrid—I was left perplexingly dry-eyed. I did like Mr Copper, but I'm glad that the Doctor didn't take him along. Much as I enjoyed his
character, I'm not sure there was anywhere to go with him. The
Doctor leaving him safe on earth, and a millionaire to boot, felt like a fitting end to his story.
This episode's main problem was its lack of originality. It was basically The Poseidon Adventure in space. On top of that, we had touches of Titanic (with the ship itself), Goldfinger
(with the Oddjob style halo throwing), and angels for aliens just six
months after 'Blink'. And speaking of the Host, surely the best way to
stop them would have been to initiate security protocol one and to not
ask questions. Plus, I didn't really understand why they would take
orders from the Doctor. Didn't Max instruct the Host to kill him? How did they recognise the Doctor as the next highest figure of
authority? According to whom or what?
This
wasn't the worst episode ever, it just felt a tad derivative, the CGI was occasionally poor, and the acting felt flat. Still, it's Christmas and I'm pissed up on sherry—so what is there to be unhappy about? Another mince pie? Don't mind if I do.
Other Thoughts:
—Astrid is an anagram of TARDIS.
—Gallifrey is in the constellation of Kasterborous.
—After the Doctor said 'take me to your leader', he commented 'I've
always wanted to say that'. Err... you already did. Back in 'Aliens of
London'. It was the ninth Doctor, but it was still you.
—More nonsense about the Doctor's age. In 'Time and the Rani', the
Doctor claimed to be 953. In 'The Claws of Axos' he claimed to be
several thousand years old. Tonight he claimed to be 903. Maybe
senility's setting in.
—Is there an unwritten rule of fantasy that all alien names must be absolute nonsense? Foon? Bannakaffalatta? Morvin? Sheesh! (Not a character name.)
—Astrid isn't the only person to have been offered a place aboard the
TARDIS, only to die. The same happened to Lynda in 'The Parting of the
Ways' and Reinette in 'The Girl in the Fireplace'.
—Why would a space ship have a fog horn?
Quotes:
Mr.
Copper: 'Now, human beings worship the great god Santa, a creature
with fearsome claws, and his wife Mary. And every Christmas Eve, the
people of UK go to war with the country of Turkey. They then eat the
Turkey people for Christmas dinner, like savages.'
Mr. Copper: 'Don't stray too far. It could be dangerous. Any day now, they start boxing.'
Doctor: 'Okay! First things first. One, we're going to climb through this ship.
B... No. Two, we're going to reach the bridge. Three, or C, we're going
to save the Titanic. And coming in a very low four, or D, or that
little IV in brackets they use in footnotes... Why? Right then, follow
me.'
Slade: 'Hang on a minute. Who put you in charge? And who in the hell are you anyway?'
The
Doctor: 'I'm the Doctor. I'm a Time Lord. I'm from the planet Gallifrey
in the constellation of Kasterborous. I'm 903 years old, and I'm the
man who's gonna save your lives and all six billion people on the planet
below. You got a problem with that?'
Astrid: 'You might be a Time King from Gannaby, but you still need to eat.'
Astrid: 'You look good for 903.'
Doctor: 'You should see me in the morning.'
Astrid: 'Okay.'
Doctor: 'What's your first name?'
Midshipman: 'Alonso.'
The Doctor: 'You are kidding me!'
Midshipman: 'Uh... why?'
The Doctor: 'There's something else I've always wanted to say: Allons-y Alonso!'
2 comments:
A perfect example of the excesses of the Russell T. Davies era. Huge story, big drama, hero deaths, and not one jot of it in any way meaningful.
I was reading the usual top ten lists over Christmas and some fool put this at the top of their Best Christmas Episode list. It looks great, but Jesus is it a load of shit.
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