Doctor: 'It's a papoose.'
Tonight's
episode reminded me a little of 2005's 'Bad Wolf'. It likewise started
off relatively lightweight, before revealing some unexpectedly devious
depths. Despite enjoying 'The Lodger' (Gareth Roberts' last effort and
prequel to 'Closing Time'), it didn't exactly set my world alight.
Tonight's offering was a slight improvement. It's rare we get to see the
Doctor in a bromance story—it's even rarer we get to see him almost
copping off with another character. Steady on, Matt. You're not in Christopher and His Kind now.
Sunday, 25 September 2011
Sunday, 18 September 2011
Doctor Who: The God Complex
Doctor: 'I'm not a hero. I really am just a madman in a box.'
I struggled with tonight's episode, and it was only after listening to Toby Whithouse's commentary on Doctor Who Confidential that I understood half of what went on. Second time through, it made a lot more sense, but watching DWC shouldn't be a prerequisite for understanding an episode. Maybe I'm a bit of a dunce, but it all felt unnecessarily convoluted. I did enjoy the last ten minute, however, I just didn't want to believe them. I still don't.
I struggled with tonight's episode, and it was only after listening to Toby Whithouse's commentary on Doctor Who Confidential that I understood half of what went on. Second time through, it made a lot more sense, but watching DWC shouldn't be a prerequisite for understanding an episode. Maybe I'm a bit of a dunce, but it all felt unnecessarily convoluted. I did enjoy the last ten minute, however, I just didn't want to believe them. I still don't.
Thursday, 15 September 2011
Misfits: Vegas, Baby!
Nathan: 'Who is this?'
Rudy: 'Err... I'm the new guy.'
As fans of the show probably already know, Robert Sheehan announced back in April that he wouldn't be returning for a third season of Misfits. The good news is, E4 haven't left us entirely bereft—they've graciously stumped up the cash for an eight minute webisode and given our favourite foul mouthed miscreant a send-off worthy of... I dunno, a hobo? To sum up the plot: Nathan gets pwned, but not before he wins a shit load of money, loses it all, and then gets arrested. I know, it's hardly Shakespeare—but Nathan's no Hamlet. Hamlet never shat out a rabbit.
Rudy: 'Err... I'm the new guy.'
As fans of the show probably already know, Robert Sheehan announced back in April that he wouldn't be returning for a third season of Misfits. The good news is, E4 haven't left us entirely bereft—they've graciously stumped up the cash for an eight minute webisode and given our favourite foul mouthed miscreant a send-off worthy of... I dunno, a hobo? To sum up the plot: Nathan gets pwned, but not before he wins a shit load of money, loses it all, and then gets arrested. I know, it's hardly Shakespeare—but Nathan's no Hamlet. Hamlet never shat out a rabbit.
Sunday, 11 September 2011
Doctor Who: The Girl Who Waited
After the sub par 'Age of Steel/Rise of the Cybermen' this was a real step up in quality from Tom MacRae. This is the kind of episode that Doctor Who excels at: a girl lost in time, waiting for the Doctor. ('The Girl in the Fireplace', 'School Reunion', 'The Big Bang'.) If the highlight of the first half of the season was 'The Doctor's Wife', then this must surely be the zenith of the back six. If there's better still to come, I'll eat my fez.
Sunday, 4 September 2011
Doctor Who: Night Terrors
Rory: 'We're dead... again!'
I had the strangest feeling during 'Night Terrors' that I was watching a Russell T. Davies produced episode, written by Steven Moffat. The script felt like a retread of 'Fear Her', yet the subject matter felt distinctly Moffatian. How odd that it was actually a Moffat produced episode, written by Mark Gatiss. For a moment, I though the Doctor had used his TARDIS to take us back in time to the Russell T. Davies era. Now there's a chilling thought.
I had the strangest feeling during 'Night Terrors' that I was watching a Russell T. Davies produced episode, written by Steven Moffat. The script felt like a retread of 'Fear Her', yet the subject matter felt distinctly Moffatian. How odd that it was actually a Moffat produced episode, written by Mark Gatiss. For a moment, I though the Doctor had used his TARDIS to take us back in time to the Russell T. Davies era. Now there's a chilling thought.
Subscribe to:
Posts (Atom)