Hood: 'And remember, Doctor. I'm just as real as you are.'
This
is an episode I've been dreading since I first saw it advertised. The
title sounded awful, the premise laughable, Robin Hood himself looked
ridiculous, and the less said about the teaser the better. So why did I
spend half of the episode cackling like a loon? One word: banter. The
Doctor may not like it... but I do.
I've
been saying all week to anyone who'd listen, if they're going to do
Robin Hood, they better (a) camp it up, and (b) go big with the humour.
Thankfully, Mark Gatiss did just that. The legend of Robin Hood has been
so abused by modernity that it's virtually impossible to think of the
man-in-tights without snickering, so trying to tell a pseudo-historical
story would have been disastrous. Thankfully, Gatiss chose to portray
Robin Hood and his Merry Men as stereotypes—with magnificent britches,
outrageous laughter and clichéd dialogue—and, surprisingly, managed
to create some of the show's funniest exchanges to date.
The Doctor and Robin's continuous pissing contest
and subsequent banter was hands-down my favourite part of the episode.
Peter Capaldi and Tom Riley looked like they were having a ball.
Unfortunately, the laughter came at a price. For the humour to work,
they had to knock several hundred points off the Doctor's IQ, which made
him look astonishingly stupid at times. But for an episode like this,
it was an acceptable compromise. This was a distinctly kid-friendly
piece, and judging it on those grounds, I think it worked fine. How
it'll fare when pitted against the season's bigger episodes—or even
the two which preceded it—is another matter entirely.
From
an adult perspective, however, there was just too much effort required
to explain some of the plot deficiencies. How did firing a gold arrow at
the side of the ship help it into orbit? Was the gold absorbed by some
kind of osmosis? It also telegraphed a few too many set-pieces (most
notably, the spoon), and the classic episode shout-outs ('Carnival of
Monsters', 'The Smugglers', 'The Mind of Evil', etc.) felt, at times,
clumsily inserted. Explaining Hood's traditionally over-the-top laughter
as a compensatory mechanism for personal loss, however, was a
nice twist. I also liked that Hood ended up reunited with Marian,
despite there being insufficient time for us to care about either of
them. Forty-five minutes just isn't long enough to do an iconic love like theirs justice.
The
Robin Hood storyline, as long as you treated it as pantomime, was
generally enjoyable. It was clever, generated plenty of hilarity, and
provided the perfect backdrop for a stand-alone high-definition romp. Is
it possible to reconcile the personality of the Doctor here with the
Doctor of last week? Probably not. I also didn't quite understand
who Hood was talking about when he said 'He's a lucky man.' Was he
talking about the Doctor or Danny Pink? Since the context was romantic, I
initially thought he was referring to Pink—but they only met last
week, for Kroll's sake. And Hood surely knew nothing about... I'm going
to say it, you can't stop me... Clanny! No, Piswald. Wait! That sounds
terrible. Dara? (Nailed it!) So he meant the Doctor, right?
The
robot storyline, was more problematic. That's not to say it was a
total bust—unless you had a problem believing that an all-gold arrow
would be robust enough to be fired from a bow. Obviously the robots were
there to give momentum to the season's 'Promised Land' arc, although it
took me a while to twig that the Sheriff was actually part-robot.
Apparently they deleted a scene of him being decapitated (out of respect
for the recent executions of James Foley and Steven Sotloff), so his
part-mechanical make-up wasn't obvious. (Especially if you missed
his 'half-man, half-engine' line as he ascended to the rafters... and
the music at that point was awfully loud.)
And
I'm not sure how good a week this was for Clara. Initially, she came
across as quite clever, what with keeping the boys in line and
outwitting the Sheriff of Nottingham. But since everyone around her was
either (a) acting like a buffoon, or (b) had twelfth-century
sensibilities, it wasn't really that difficult to appear intelligent. I didn't think her intellectual contributions weren't quite as sharp as last week, but I don't think anyone really sparkled tonight. The Doctor did
seem to come to his senses once he'd actually laid eyes on the alien
ship, but he spent the bulk of this episode getting things drastically wrong.
Gatiss'
musings on the nature of the hero, and legend versus reality, I thought
worked well. I particularly liked Hood's 'I'm just as real as you are'
line. Real or not, heroes are meant to inspire, and their stories bring
hope to generations. Who cares if the odd detail is embellished? Or the
whole thing, for that matter?
Other Thoughts:
—Where did the Doctor find time to make a homing arrow?
—I racked my brain trying to remember when Doctor Who
last used a mythological character. All I could come up with is
Santa... but even that feels like a stretch. I asked Classic Who doyen,
Mark, and he responded with 'How about all that Arthurian bollocks on
'Battlefield'?' A classy reply, I think you'll agree.
—Great reference to the size of Errol Flynn's todger. I know it was
legendary, but was its enormity mythical too? Why do I want to know? I
don't k... moving on.
—Here's Patrick Troughton's brief appearance, for those who missed it.
—Thanks a bunch Terry Gilliam and Mel Brooks for ruining Robin Hood forever... and by ruining it, I mean making it better.
—Using shiny plates to deflect lasers with that sort of accuracy? Utter bollocks!
—According to Mark Gatiss, it was Steven Moffat who first pitched the
idea of Robin Hood with robots. I guess we can't hold that against
Gatiss then.
Quotes:
Doctor: 'I am totally against bantering.'
Doctor: 'When did you start believing in impossible heroes?'
Clara: 'Don't you know?”
Doctor: 'Shut it, Hoody!'
Hood: 'I had the situation well in hand.'
Doctor: 'Long haired ninny versus robot killer knights? I know where I'd put my money.'
Hood: 'I'll tell you one thing, I'd last a lot longer than this desiccated man-crone.'
Clara: 'Thank you, Prince of Thieves... Last of the Time Lords?'
Clara: 'Can you explain your plan without using the words sonic screwdriver?'
Hood: 'You're as pale as milk. It's the way with Scots, they're strangers to vegetables.'
Hood: 'Soiled myself?'
Doctor: 'Did you? That's getting into character.'
Hood: 'Now what?'
Doctor: 'First, the blacksmith's forge.'
Hood: 'So as to remove our chains?'
Doctor:
'No, so I can knock up an ornamental plant stand. Of course it's to get
rid of our chains! I don't want to be manacled to you all night.'
2 comments:
This gets worse the more I see it. Like you, I initially thought this an okay episode, but watching it in the context of Twelve's complete story, the Doctor's characterisation is severely out of whack. Watched in isolation, and early into Capaldi's run, it's a fun adventure, but is a horribly weak episode otherwise.
This seems less silly after watching season eleven, but that's probably true of a lot of previously poorly rated episodes. The humor might be over the top, and the plot rough around the edges, but just three episodes in and Capaldi is undeniably the Doctor. Compare and contrast with Rosa is the current season.
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